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: ERRATA : COLLECTING ENTANGLEMENTS AND EMBODIED HISTORIES
exhibition

| EXHIBITION |

Group

DatesJune 30, 2021 - February 14, 2022
Location
Artist
Agung Kurniawan, Amanda Heng, Ampannee Satoh, Anuwat Apimukmongkon, Arahmaiani, Araya Rasdjarmrearnsook, Arin Rungjang, Bruce Nauman, Chiang Mai Social Installation, Dansoung Sungvoraveshapan, Dolorosa Sinaga, Fiona Tan, FX Harsono, Ho Tzu Nyen, Indonesia New Art Movement, Jeroen De Rijke and Willem De Rooij, Joseph Beuys, Kamol Phaosavasdi, Kawita Vatanajyankur, Keiichi Tanaami, Khvay Samnang, Koh Nguang How, Melati Suryodarmo, Mit Jai Inn, Naiza Khan, Navin Rawanchaikul, Nutdanai Jitbunjong, Öyvind Fahlström, Pichet Klunchun and Shane Bunnag, Pramuan Burusphat, Paphonsak La-or, Ray Langenbach, Rirkrit Tiravanija, Sutthirat Supaparinya, Thanom Chapakdee, Thasnai Sethaseree, The Propeller Group, Tisna Sanjaya, Ulrike Rosenbach, Wantanee Siripattananuntakul
Curator
Gridthiya Gaweewong

ERRATA : COLLECTING ENTANGLEMENTS AND EMBODIED HISTORIES

Agung Kurniawan, Amanda Heng, Ampannee Satoh, Anuwat Apimukmongkon, Arahmaiani, Araya Rasdjarmrearnsook, Arin Rungjang, Bruce Nauman, Chiang Mai Social Installation, Dansoung Sungvoraveshapan, Dolorosa Sinaga, Fiona Tan, FX Harsono, Ho Tzu Nyen, Indonesia New Art Movement, Jeroen De Rijke and Willem De Rooij, Joseph Beuys, Kamol Phaosavasdi, Kawita Vatanajyankur, Keiichi Tanaami, Khvay Samnang, Koh Nguang How, Melati Suryodarmo, Mit Jai Inn, Naiza Khan, Navin Rawanchaikul, Nutdanai Jitbunjong, Öyvind Fahlström, Pichet Klunchun and Shane Bunnag, Pramuan Burusphat, Paphonsak La-or, Ray Langenbach, Rirkrit Tiravanija, Sutthirat Supaparinya, Thanom Chapakdee, Thasnai Sethaseree, The Propeller Group, Tisna Sanjaya, Ulrike Rosenbach, Wantanee Siripattananuntakul

ERRATA: Collecting Entanglements and Embodied Histories

A dialogue between the collections of Galeri Nasional Indonesia, Jakarta (Indonesia), MAIIAM Contemporary Art Museum, Chiang Mai (Thailand), Nationalgalerie–Staatliche Museen zu Berlin (Germany), and Singapore Art Museum (Singapore) initiated by the Goethe-Institut

Curators: Gridthiya Gaweewong with Anna-Catharina Gebbers, Grace Samboh, and June Yap

Exhibition period: 30th July 2021 - 14th February 2022

MAIIAM Contemporary Art Museum, Chiang Mai, Thailand

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Partici

pating artists:

Agung Kurniawan, Amanda Heng, Ampannee Satoh, Anuwat Apimukmongkon, Arahmaiani, Araya Rasdjarmrearnsook, Arin Rungjang, Bruce Nauman, Chiang Mai Social Installation, Dansoung Sungvoraveshapan, Dolorosa Sinaga, Fiona Tan, FX Harsono, Ho Tzu Nyen, Indonesia New Art Movement, Jeroen De Rijke and Willem De Rooij, Joseph Beuys, Kamol Phaosavasdi, Kawita Vatanajyankur, Keiichi Tanaami, Khvay Samnang, Koh Nguang How, Melati Suryodarmo, Mit Jai Inn, Naiza Khan, Navin Rawanchaikul, Nutdanai Jitbunjong, Öyvind Fahlström, Pichet Klunchun and Shane Bunnag, Pramuan Burusphat, Paphonsak La-or, Ray Langenbach, Rirkrit Tiravanija, Sutthirat Supaparinya, Thanom Chapakdee, Thasnai Sethaseree, The Propeller Group, Tisna Sanjaya, Ulrike Rosenbach, Wantanee Siripattananuntakul

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The exhibition ERRATA is one of the four exhibition series ”Collecting Entanglements and Embodied Histories,” which will be on display from July 30 to November 1, 2021 at MAIIAM Contemporary Art Museum in Chiang Mai, Thailand. This show encompasses works from 38 artists and 4 archives, derived from a dialogue between the four collections of all partners – Galeri Nasional Indonesia, MAIIAM Contemporary Art Museum, Chiang Mai, Nationalgalerie–Staatliche Museen zu Berlin, and Singapore Art Museum. In development since 2017, the exhibition "Collecting Entanglements and

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Embodied Histories" aims to trace stories, counter-histories and absent histories whose spirits populate the present while seeking new narratives. The project explores the question of how these interwoven histories within nation-building processes, individual identity formation and their embodiment are reflected in artistic works and their exhibition history.

“ERRATA”, in general, can be found as inserted sheets or papers within books or printed media, indicating the correction of errors of written texts. ERRATA in this exhibition context serves as a metaphor for MAIIAM Contemporary Art Museum's collection as a manifestation of errata to Thai modern and contemporary art history. It’s not only about correction to and critique of the grand narrative of national centric art history, but offers alternative perspectives of small narratives to counter and contest constructed historiography in the regional and global social and geopolitical context. It also traces the history of exhibitions, art movements and collectives in the region and beyond. This show investigates contested narratives, counter and alternate histories from the remnants of the crypto-colonial period to Cold War politics. Located at the intersection of regional and global perspectives on art and history, the exhibition unpacks the complexity of small narrative artistic practices from performance art, media-based works and multidisciplinary works especially from artists, particularly women, who use their bodies and cameras to encapsulate and embody the entangled histories. How do contemporary artists work as archeologists to excavate untold history? How are they revisiting the collective memory and proposing the rewritten versions? And how is performance art hijacked by younger generation activists to perform their political resistance and social disobedience on the street today?

The nature of this collaboration is to use each museum collection as a departure point to engage and dialogue with our partner museums. One of the highlights is to celebrate the centenary of Joseph Beuys, as his social sculpture inspired many artists in the MAIIAM Contemporary Art Museum’s and resonated with Chiang Mai Social Installation, a series of artist-led festivals that connected the local art scene with Southeast Asian performance arts and beyond in the early 1990s. The reenactment of a Week of Sufferings will be led by Mit Jai-Inn, a co-founder of Chiang Mai Social Installation.


Furthermore, an extensive public program is being planned in cooperation with all partners, in which audiences themselves can engage both online and onsite throughout the exhibition periods.

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Agung Kurniawan (b.1968, Java, Indonesia) Sinta Love Rahwana, and Rama Love Sinta, 2010 Conte and pastel on paper

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Ampannee Satoh (b.1983, Pattani, Thailand) TUGU 1370: 1425, 08, 2018 - 19 Lambda print on silver gelatin paper - Kodak Endura Professional Archival
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Dansoung Sungvoraveshapan (b.1958, Nakhon Si Thammarat, Thailand) Duo Monk, 2003 C-print photography

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Joseph Beuys (b.1921 - 86, Krefeld, Germany) I Like America, America Likes Me, 1974 Video of performance in New York 37 min., 41 sec. Image courtesy of © Joseph Beuys Estate und VG Bild-Kunst Bonn / SACK, 2021; Leihgabe Video: Medienarchiv Joseph Beuys, ZKM | Zentrum für Kunst und Medien Karlsruhe

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Khvay Samnang (b.1982, Svay Rieng, Cambodia) Rubber Man, 2014 Installation, single-channel video, color, sound Dimensions variable, 8 min., 31 sec

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Kawita Vatanajyankur (b.1987, Bangkok, Thailand) Spinning Wheel, 2018 Video installation 5 min., 35 sec.

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Keiichi Tanaami (b.1936, Tokyo, Japan) Oh Yoko!, 1973 Video animation 4 min., 23 sec. / Collection of Hamburger Bahnhof Image courtesy of the artist and Galerie Gebr. Lehmann, Germany
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Sutthirat Supaparinya (b.1973, Chiang Mai, Thailand) A Separation of Sand and Islands, 2018 2- channel video, color, stereo 19 min.

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Dolorosa Sinaga (b.1952, Sibolga, Indonesia) Solidarity, 2000 Bronze, remade in fiberglass / Commissioned by Goethe-Institut, Indonesia

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Wantanee Siripattananuntakul (b.1974, Bangkok, Thailand) Ja, Ja, Ja, Ja, Ne, Ne, Ne, Ne, 2016 Single-channel video, sound 4 min., 22 sec.

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Tisna Sanjaya (b.1958, Bandung, Indonesia) Pesta Pencuri, 1988 Etching on Hahnemühle paper 50 x 50 cm

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The Propeller Group (Founded in 2006, Vietnam) Television Commercial for Communism, 2011-12 Five-channel synchronized video installation, single-channel video 60 min., 1 min. / Collection of Singapore Art Museum

Installation View